Published on Wednesday, April 18, 2018

Digitizing Carlo the Chameleon - Downloadable FREE Design

Learn all about the Stitch Types, Fills, Tools and Techniques used to create this striking design

Digitizing Carlo the Cameleon

 

I am super excited to reveal this project I have been working on for quite some time. I was fortunate to collaborate with the beautiful Catherine Noel again, an amazing graphics artist from the Santa Cruz Mountains in California. You might still remember the Seahorse machine embroidery design I wrote a blog article on a while back. Catherine generously allowed me then to use her drawing as the base artwork for my embroidery design. 

I had been thinking of creating a chameleon machine embroidery design for quite a while, so the idea of digitizing another one of Catherine’s artwork was too tempting to dismiss. Luckily Catherine was kind to come to the party again, and created this gorgeous drawing for me. It was love at first sight!

 

Chameleon drawing by Catherine Noel

 

Needless to say, I could not wait to start working on him! I selected really bright colors and used a lot of different fills and layers to create a variety of textures and make him really striking. And of course I used Hatch Embroidery Digitizer loaded with amazing tools and features that allowed me to let my imagination run free.

So, without further ado, let me introduce Carlo the Chameleon in his complete glory:

 

Chameleon machine embroidery design


Colors Used:

Mettler Poly Sheen

5115 Baccarrat Green
0874 Gravel
0132 Dark Pewter
0870 Muslin
0501 Sun
3210 Blueberry
1305 Fax Fire


Fills Used:

Tatami 1
Satin
Embossed – Squigle1
Contour


Run Stitch Types Used:

Single Run
Triple Run
Stemstitch


Tools Used:

Digitize Open Shape
Digitize Closed Shape
Remove Overlaps
Branching


Effects Applied: 

Radial Fill
Florentine effect



Digitizing Carlo the Chameleon Step-by-Step


I started out by digitizing the first layer of the body. I used Tatami 1 fill and applied the Florentine effect to create a curve.


Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer



The tail area was prone to puckering, so to minimize that, I digitized a global underlay using Tatami fill. I increased the stitch spacing to 2 mm and removed all underlays from the object.








I digitized the pieces of the branch the chameleon is sitting on using Satin fill.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




I digitized objects that make up the segments of the tail using Tatami 1 fill and applied the Florentine effect for curved stitches.

 






I used the Digitize Blocks tool to create the objects that make up the second layer of the body. I used Contour fill and increased the stitch spacing to 4 mm and decreased the stitch length to 3 mm.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer

 

 

I digitized the spiral object at the end of the tail using the Digitize Blocks tool. I decreased the stitch spacing on the Satin fill to 0.3 mm to avoid the color of the global underlay showing through.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer



I really wanted to add a good texture to the head and the legs, so I chose the Squigle1 Embossed fill. I wanted the pattern to follow the shape of the objects, so I selected ‘Turn pattern based on stitch angle(s)’, and made sure all my stitch angles were right.

 






When I did my first test stitch out, the fabric was slightly showing through the fill on the head and legs, so I needed to adjust the stitch spacing and the underlays. I decreased the density to 0.3 mm and halved the stitch spacing of Underlay 2 from 2 mm to 1 mm. 

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer







I used Satin fill or the fingers.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer



The eye is one of the most important part of this design. I wanted it to be really expressive. I used Satin fill and applied the Radial fill effect.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer


I then used the Remove Overlaps tool to create the hole on the head underneath the eye. I wanted to avoid having too many layers.

 





I used the Tatami fill for the pupil of the eye and applied the Radial fill effect. I used Satin fill for the white circle object on the top of the pupil.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer

 



I digitized the dark blue details on the head and crest and around the mouth as a continuous line with the Digitize Open Shape tool and used the Triple Run stitch.

I applied this technique previously on my Seahorse design. You can watch a tutorial video here to see how it was done.


Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer



I used Stemstitch to create the line on the chin and changed the number of Strokes from 1 to 3 to make it thicker.


Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




I digitized the circles on the face and crest individually and then used the Branching tool to branch them together. I created one branched object of the circles on the crest and one of the ones of the face.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




The circles on the body and leg are individual objects.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




The zigzag objects on the eye and body were created with the Digitize Open Shape tool. I used Single Run stitch for the objects on the eye and Triple run stitch for the ones on the body.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




I used the Digitize Closed Shape tool and Satin fill for the crest on the back.

 

Digitizing the chameleon machine embroidery design with Hatch Embroidery Digitizer




And here he is, ready to be stitched out!

 

chameleon machine embroidery design


 

 

 

Meet the artist behind the beautiful chameleon drawing

 

Catherine Noel

 

Catherine Noel is a freelance illustrator and graphic designer from the San Francisco Bay Area, now living and working in the Santa Cruz Mountains in California. She earned her BFA in Traditional Illustration from the Academy of Art University in San Francisco, California. 

Her work encompasses intricate drawings of flora and fauna, watercolors of North American wildlife, illustrated typography, and the occasional famous face. Nature's subtleties and organic compositions inspire her most, and her work typically incorporates soft colors, flowing arrangements of organic forms, and meticulous detail. 

You can buy her beautiful designs printed on various items here.

 


 button to Hatch Embroidery Resource Center

 

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Once registered, log in and go to Resource Center > FREE Designs.
 

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Hatch Embroidery software products are in popular use in over 100 countries. It is time to join the global trend and give Hatch a try! The 30-day Free Trial grants you unlimited use of all the amazing features and the 30-day Money Back Guarantee ensures that there is absolutely no risk involved.

 

 

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9 comments on article "Digitizing Carlo the Chameleon - Downloadable FREE Design"

Karen Kelly

4/23/2018 3:25 PM

very cute and nice use of Hatch's tools, Thanks for sharing :)


Bernadett Csaszar

4/23/2018 4:45 PM

Thanks Karen, glad you liked it!


Lyn Haynes

4/23/2018 3:39 PM

love the colours he is charming


Bernadett Csaszar

4/23/2018 4:46 PM

Thanks Brian :)


Louise Hooyer

5/11/2018 8:22 AM

I love this pattern. I machine embroidered it the past two evenings on a sweatshirt for my grandson. It took a little over 4 hours to complete. One comment tho, I ended up with a bare spot where the first color thread for the body switches the way it is filling in. My copy of the pattern left a gap between the two fillings. I thought it would maybe later on come back and fill in, but it never happened. So now while it looks pretty good, there is an unfilled gap in the body. I thought maybe the material had shifted, but the rest of the stitching's all fit together.


Bernadett Csaszar

5/23/2018 9:02 PM

Hi Louise, the free downloadable design was set to be stitched out on pure cotton fabric that is not stretchy. That's what might have caused the issue with the gap.


Eduardo Uriarte

6/1/2018 3:03 PM

Bernadett, ¡Your work is fantastic! I love the way you bring the drawing to life! How many hours you spent in front of Hatch? It is hard to me to visualize the drawings the way you do to generate different objects. Please keep publishing 'cause we still want to learn from you and your point of view.


Bernadett Csaszar

6/19/2018 11:17 PM

Hi Eduardo, thank you very much! I'm glad you find my articles useful. When I work on a complex design like this one, I do spend quite a few hours on it to make sure everything is perfect.


Robert Carroll

8/6/2018 4:30 AM

Thanks for this project it is just the job for my oldest great grandson's jacket.

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